These days, if you’ve got a PC or a Mac, a little hard disk space and an internet connection you’ve already got everything you need to produce music. No, you don’t need to buy any more hardware and you don’t need to spend any money on software. None at all!
So, getting started is simple. But, as any dedicated producer will tell you, simple doesn’t always equate to easy. After all, the best tools are wasted on the inexperienced craftsman, right?
So, no, we can’t help you become a production wizard in one article, be we can help you down that path, and honour our promise that you can start without a single penny’s outlay.
And who knows, maybe a fruitful career in the music industry awaits, a little later down the line?
Too Much Choice And Too Much Information
But there’s the all pervasive software problem. Of all the masses of freely available software, where to begin?
Well, take it from me, as a composer/producer since about 2006, I’ve tried a lot of stuff, both on Windows and OSX. I’ve wasted many hundreds of hours testing glitchy software, suffering crashes, hard drive failures and pretty much all that bad stuff technology throws at you.
But I’ve also found some real diamonds in the rough too.
So, the purpose of this article is to cut through all the noise and give you a list of things that have stood the test of time and just worked. I intend to spare you many hours of frustration.
Let’s see how we do.
Thus Simple: Good
And, obviously, with so many styles of music to produce, so many types of plugins and so many individual ways of working – we’re simplifying a little here for the sake of your convenience (though it sure beats information overload).
So, let the simplifications begin!
Introducing The DAWs
A ‘DAW’ (Digital Audio Workstation) is essentially the tool that you use to take your musical ideas into musical reality. Everything from recording, to synthesis, to sampling to eventually mixing and mastering, is handled by your DAW.
(Insert Light My Fire joke here as/if appropriate…)
Commercial DAWs start at around £30 and go all the way into the four figure range. True, you aren’t going to get £1000s worth of functionality with a piece of freeware – but you don’t necessarily need all of those features if you are. In fact it might be better not to get stuck on detail and face the all to prevalent overwhelm which can get in the way of your actually making music…
COCKOS – Reaper Windows/OSX
First up is COCKOS’ Reaper. Reaper comes up as #1 because in terms of speed and flexibility, I’ve found nothing to beat it. REAPER isn’t actually free, but COCKOS as super cool guys have made the trial effectively endless, and priced it quite reasonably for personal use. They probably find that those who stick with it eventually buy, and for $60 it’s a steal. Try it and see.
MU.LAB – Windows/OSX
I don’t have quite so much experience with MU.LAB, spending most of my time in Reaper, but from what I’ve seen of it I don’t know why it isn’t more popular. Unlike many other freeware DAWs the UI is sophisticated and the featureset is quite extensive. Considering you pay nothing, it’s a sweet deal.
Ardour – OSX/Linux
Again, I don’t have all that much experience with Ardour either, but it’s got a clean & intuitive interface, excellent plugin compatibility and awesome functions, such as matrix style plugin patching. Again, sweet deal for nothing…
The Plugin Suites
An audio plugin, as it’s name may suggest, is a piece of software that ‘plugs in’ to your DAW, expanding your sonic possibilities. For our intents and purposes they come in two main formats; VST, and AU (OSX only).
Plugins can do pretty much anything, but simplifying again, we’ll divide them into 3 types…
Synthesisers: Generate (synthesise) a unique sound, which ranges from obviously digital in nature, to more ‘natural’ sounding, and everything in between!
Samplers: Are used like ‘loaders/players’ for existing sounds (often banks made up of pre recorded sounds – ‘samples’, such as a drum kit, or a brass instrument)
FX/Processing: Are used to take an existing sound and make it sound different. An example of an FX is reverb, which creates the psychoacoustic impression of space and can make things sound ‘big’.
There are many hundreds, possibly thousands of these plugins available. To save you time I’ve grouped them into ‘suites’, by developer.
Native Instruments – Komplete Players Windows/OSX
Native Instruments are one of the biggest players in the music production industry. Their Komplete range is an amazing (and expensive) set of plugins that pretty much covers the bases in synthesis and sampling . But they also do a little free giveaway in the form of their Komplete Players, which though just a fraction of the paid offering, are still incredible.
u-He’s free giveaways Windows/OSX
u-HE are one of my favourite developers, and they make some seriously incredible and versatile synths. All of their free synths are worth trying out too, being just as quirky as powerful as their paid offerings (albeit with a little less functionality)
Blue Cat’s Freeware Plugins Pack Windows/OSX
A very non gimmicky and useful set of FX plugins from Blue Cat that includes most of the studio essential, equalisation, flangers, spectral analysis, and so on…
TAL – Effects Suite Windows/OSX
TAL’s free FX are very handy, and include some more unusual offerings – such as a bitcrusher and a tube saturator, both of which can make your mixes much harder and edgy.
DSK – Synths Windows
DSK are beyond ridiculously generous in their (pretty awesome) free plugin offerings. There’s way too many to list here, but it runs from traditional Indian instruments to synths that specialise in making spacey pads. Shame there’s no OSX offerings…
Which contains a bunch of plugins under the FSU category (I’ll let you guess what the acronym stands for) Glitch 1.3, Crusher, Stretch & TapeStop. As of this date the plugins were no longer supported, but they still work, and for adding carnage to your mixes, it’s hard to beat them.
Soundhack – Freesound Bundle Windows/OSX
Soundhack (who teaches computer science) has some FX offerings that are slightly more…esoteric than some of the other free FX you might find. They’re presented in that wonderful minimalist UI that you might come to love and treasure.
The Single Plugins
These are same as the above ‘bundles’ but are individual plugins. Though not grouped in any convenient collection, these ones were too good to miss…
Applied Acoustics Systems – Swatches Windows/OSX
AAS are perhaps best known as masters of creating realistic (and far out) sounding string synths. Think note for note reproductions of Eddie Van Halen’s lead guitar tone or crazy alien violins. Swatches is preset player that lets you try out the best sounds from all of AAS’s synths.
FXPansion – ORCA Windows/OSX
FXPansion’s ORCA is a somewhat stripped down, yet pretty powerful subtractive synth that was released as a showcase for new & experimental audio technology. One worth collecting.
Magical 8bit Plug Windows/OSX
This is, IMHO, the best plugin to create the 8bit/’chip tunes’ sound in the style of the Nintendo gameboy. I use it regularly and love it.
Sam – CHIP32 Windows/OSX
Sam’s CHIP shows it’s age a bit now, but is capable of creating similar kinds of lo-fi sound to the 8 bit plug we mentioned above.
Automat is a pretty straightforward and useful synth. It’s workhorse capable of all kinds of sounds, from spacious pads to punchy leads. It’s a pretty good ‘all rounder’.
Linplug – Free Alpha 3 Windows/OSX
Linplug’s Free Alpha is a stripped down version of the Alpha synth. It also shows its age a little now, but is still capable of some cool noises, especially with pads.
IK Multimedia – Sampletank FREE Windows/OSX
IK’s Sampletank is the smallest of IK’s sampler series. Packing 58 free instruments and half a gig of samples, all sampled in the high quality IK is known for, it’s worth getting your hands on this one.
Camel Audio – Alchemy Player Windows/OSX
Camel Audio’s Alchemy is an extremely versatile sampler/synth hybrid. The full version is incredible, and the freeware ‘player’ still comes with over 200 instruments and a gig of samples – I think this one’s an essential!
This should be enough to get you started. Hopefully I’ve landed this article somewhere in that sweet spot between too little and too much information. What do you think?
Also, if you are looking for some audio hardware to get the most out aural pleasure and accuracy of your mixes (and yeah this’ll probably involve shelling out cash) – you may want to check out what’s big in our Audio Video category
Happy music making!